Recording these songs again was not so much about righting past mistakes or inadequacies, but more about the power of now. Something that’s been growing since the film shows, something that made us recognise how we feel now, and connecting that to our past feel important.
Walking up to Abbey Road, it could easily have overcome us. But it had nothing to do with its past. We weren’t there to take photos on the crossing. I didn’t think about playing the Lady Madonna piano. I’d like to say it was just another studio, but sadly, that’s not true anymore. It’s one of the only studios of its kind left. And it wasn’t about our past either. These songs feel like cover versions. Someone else’s music we feel we had something new to bring to. Abbey Road could have been a big slap on the back. Or a big punch in the face. But it felt natural. It’s where we should be. It’s important that we got here and to give ourselves some credit. It’s also important to give these songs a new life.
And so much more fun than a greatest hits album. 21 years of tindersticks. This isn’t a selected highlights. It just shows how far we’ve come.
David Boulter, 2013
(Na página oficial dos Tindersticks, a propósito da edição de "Across Six Leap Years".)
(Na página oficial dos Tindersticks, a propósito da edição de "Across Six Leap Years".)
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